Product Code Database
Johannes Erath (born 1975) is a German opera director.
Among the early productions of Erath were mostly operas by contemporary composers — i.e. the world premiere of Jörn Arnecke's Drei Helden in Rheinsberg, Gerhard Schedl's Triptychon, Dieter Kaufmann's Fuge Unfug-e, What Next? and the world premiere of Péter Eötvös’ Paradise Reloaded at the Neue Oper Wien. Thereafter he was also asked to direct classical repertory such as Un ballo in maschera in Bremerhaven, Les contes d’Hoffmann and Cendrillon am Stadttheater Bern, Orfeo ed Euridice und Aida at the Oper Köln, Eugene Onegin in Mainz, La traviata and The Cunning Little Vixen at the Hamburg State Opera.
A long term cooperation was established with Graz Opera during the directorship of Elisabeth Sobotka (2009-2015). In Graz Erath directed Alban Berg's Lulu and Mozart's Don Giovanni (both 2010), Elektra by Hugo von Hofmannsthal und Richard Strauss (2012), Wagner's Lohengrin (2013) and Korngold's Die tote Stadt (2015). Especially Lohengrin — 2015 transferred to Oslo Opera — achieved high acclaim from public and press. Vienna's Kurier praised the direction as ″poetic, visually stunning and partially fairytale like.″Kurier: Bildgewaltige Welt des „Schwanenritters“ , September 29, 2013 The costumes for this production were designed by French couturier Christian Lacroix with whom Erath had already created Aida in Cologne.
Since 2009, Erath regularly works at Oper Frankfurt. He debuted with Eötvös’ opera version of Angels in America in an outlet of the company, the Bockenheimer Depot. In the main opera house he presented Giuseppe Verdi's Otello in 2011, Händel's Giulio Cesare in Egitto in 2012 and Carl Maria von Weber's Euryanthe in April 2015. In June 2015 his mise-en-scène of Mozart's Le nozze di Figaro premiered at the Semperoper in Dresden. He used elements from Commedia dell’arte at the beginning of the opera.Neue Musikzeitung: „Le nozze di Figaro“ – Mozart modern: Viel Farbe und (zu) flotte Tempi an der Semperoper, 24. Juni 2015 kultiversum reported that Erath „placed the action in three historic settings: Firstly on a stylized wooden pedestal the archaic world of Commedia dell’Arte bringing into remembrance that Da Ponte based his personalities on this ancient typology. Secondly a classical baroque scenery representing late 18th century. Lastly the open stage of modern theatre breaking theatrical conventions also acoustically with spoken parts of dialogue and interspersing them with pits and parts of French chansons played on an accordion.“kultiversum: Le nozze di Figaro, retrieved on September 16, 2015 The Frankfurter Allgemeine Zeitung described his interpretation as „Comedy of Losses“.
Erath belongs to the faculty of Berlin University of the Arts where he teaches Scenic Studies.
|
|
